Ari Benjamin Meyers


(b. 1972, USA) lives and works in Berlin. Meyers received his training as a composer and conductor at The Juilliard School, Yale University, and Peabody Institute. Trading the concert format for that of the exhibition, his works as an artist – such as Kunsthalle for Music (2018), Symphony 80 (with the Bavarian Radio Symphony Orchestra) and Solo for Ayumi (both 2017) – explore structures and processes that redefine the performative, social, and ephemeral nature of music as well as the relationship between performer and audience. His diverse practice features musical performances for the stage and exhibition space as well as three operas including a commission for the Semperoper Dresden and a ballet for the Paris Opera. He has collaborated with artists including Tino Sehgal, Anri Sala, and Dominique Gonzalez-Foerster and bands such as The Residents, Einstürzende Neubauten, and Chicks on Speed. Recent solo exhibitions and presentations include Solo at Yellow Solo, Berlin (2020); K Club at Blitz Club, Munich (2020); Ari Benjamin Meyers: Kunsthalle for Music at MCA Santa Barbara (2019); Tacet at Kunstverein Kassel (2019) and In Concert at OGR Turin (2019). His works have been shown internationally including at Galerie Mehdi Chouakri, Berlin (2020); Frac Franche-Comté (2019); Pinault Collection, Venice (2019); Video Art at Midnight, Berlin (2019); Liverpool Biennial (2018); Nowy Teatr, Warsaw (2018); Public Art Munich (2018); Witte de With, Rotterdam (2018); Biennale de Lyon (2017); Spring Workshop, Hong Kong (2017); Esther Schipper, Berlin (2017); Lenbachhaus, Munich (2017); Hamburger Bahnhof, Berlin (2016). His artist book Tacet in Concert was recently published by Corraini Edizioni.